In William Faulkner: The Making of a Modernist, Daniel J. Singal, a professor of history at Hobart and William Smith Colleges, remarks that “intellectual historians have almost invariably steered clear” of Faulkner with the effect that “one subject remains largely unexplored—the structure and nature of his thought.”[1] This will come as a surprise to Faulkner’s bibliographers, who are inundated each year with fresh historical, critical, textual, and biographical studies galore. Faulkner is very probably the most extensively analyzed and most frequently criticized of American writers. Practically every scrap of his literary expression has been subjected to repeated interpretation. But it is the case that most of the criticism of Faulkner has been produced by students of literature rather than of history. The boundary of these disciplines having been blurred, however,...


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