A new Age of Ovid seems to have dawned. Publius Ovidius Naso (43 B.C.A.D. 17) was admired immensely in his own time, as he was in general down through the ages, until the nineteenth century, when, as T. F. Higham put it in 1934, he “died and was buried under mountains of disparaging comment to make a throne for Vergil.” Ovid has finally dug himself out from under that mountain, although it has taken him more than fifty years to do it. He is beginning to be rediscovered by ordinary readers (artists never forgot him, as we can see when we look around at the literature, music, painting, and sculpture influenced by him over the centuries).

Signs of the Ovidian renaissance today include his inclusion this year in the Advanced Placement curriculum in secondary-school Latin programs, where he now joins Cicero, Horace, and Virgil,...


A Message from the Editors

Since 1982, The New Criterion has nurtured and safeguarded our delicate cultural inheritance. Join our family of supporters and secure the future of civilization.

Popular Right Now