{"id":113339,"date":"2023-05-02T14:00:00","date_gmt":"2023-05-02T14:00:00","guid":{"rendered":"https:\/\/newcriterion.com\/2023\/05\/02\/roger-kimball-introduces-the-may-issue-13254\/"},"modified":"2023-10-03T13:57:57","modified_gmt":"2023-10-03T17:57:57","slug":"roger-kimball-introduces-the-may-issue-13254","status":"publish","type":"post","link":"https:\/\/newcriterion.com\/2023\/05\/roger-kimball-introduces-the-may-issue-13254\/","title":{"rendered":"Roger Kimball introduces the May issue"},"content":{"rendered":"<p><iframe loading=\"lazy\" allow=\"autoplay\" frameborder=\"no\" height=\"166\" scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1504883209&#038;color=%23ff5500&#038;auto_play=false&#038;hide_related=false&#038;show_comments=true&#038;show_user=true&#038;show_reposts=false&#038;show_teaser=true\" width=\"100%\"><\/iframe><\/p>\n<div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https:\/\/soundcloud.com\/thenewcriterion\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\" title=\"The New Criterion\" rel=\"noopener noreferrer nofollow\">The New Criterion<\/a> \u00b7 <a href=\"https:\/\/soundcloud.com\/thenewcriterion\/roger-kimball-introduces-the-may-issue-2\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\" title=\"Roger Kimball introduces the May issue\" rel=\"noopener noreferrer nofollow\">Roger Kimball introduces the May issue<\/a><\/div>\n<p>Subscribe to\u00a0<em>The New Criterion<\/em>\u2019s podcast series via\u00a0<a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/the-new-criterion\/id1150824450\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Apple<\/a>\u00a0or\u00a0<a href=\"https:\/\/podcasts.google.com\/?feed=aHR0cHM6Ly9mZWVkcy5zb3VuZGNsb3VkLmNvbS91c2Vycy9zb3VuZGNsb3VkOnVzZXJzOjE2NjQ0MDE1My9zb3VuZHMucnNz\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Google<\/a>.<\/p>\n<p>Roger Kimball, the Editor and Publisher of\u00a0\u00a0<em>The New Criterion<\/em>, discusses highlights of the <a href=\"https:\/\/newcriterion.com\/issues\/2023\/5\" target=\"_blank\" rel=\"noopener\">May 2023 issue<\/a> and reads from its <a href=\"https:\/\/newcriterion.com\/issues\/2023\/5\/the-diversity-masquerade\" target=\"_blank\" rel=\"noopener\">opening pages<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><i>A new podcast from the Editor &#038; Publisher of <\/i>The New Criterion<i>.<\/i><\/p>\n","protected":false},"author":1255,"featured_media":121875,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_eb_attr":"","advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","wds_primary_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[473],"tags":[635,1490,2671,2818],"dispatch-city":[],"acf":{"participants":{"simple_value_formatted":"","value_formatted":null,"value":null,"field":{"ID":0,"key":"field_65fb0bff29d65","label":"Participants","name":"participants","aria-label":"","prefix":"acf","type":"user","value":null,"menu_order":0,"instructions":"","required":0,"id":"","class":"","conditional_logic":0,"parent":"group_651c53615a3f7","wrapper":{"width":"","class":"","id":""},"role":"","return_format":"object","multiple":1,"allow_null":0,"bidirectional":0,"bidirectional_target":[],"_name":"participants","_valid":1}},"featured_image_credits":{"simple_value_formatted":"<i>Jean-L\u00e9on G\u00e9r\u00f4me, <\/i>The Duel After the Masquerade<i>, 1857, Oil on canvas, Mus\u00e9e Cond\u00e9, Ch\u00c3\u00a2teau de Chantilly, France.<\/i>","value_formatted":"<i>Jean-L\u00e9on G\u00e9r\u00f4me, <\/i>The Duel After the Masquerade<i>, 1857, Oil on canvas, Mus\u00e9e Cond\u00e9, Ch\u00c3\u00a2teau de Chantilly, France.<\/i>","value":"<i>Jean-L\u00e9on G\u00e9r\u00f4me, <\/i>The Duel After the Masquerade<i>, 1857, Oil on canvas, Mus\u00e9e Cond\u00e9, Ch\u00c3\u00a2teau de Chantilly, France.<\/i>","field":{"ID":0,"key":"field_651c536113a8e","label":"Featured Image 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Kimball","author_link":"https:\/\/newcriterion.com\/author\/roger-kimball\/"},"featured_img":"https:\/\/newcriterion.com\/wp-content\/uploads\/2023\/06\/suitesdunbalmasque-gerome-museeconde-1-300x188.jpeg","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/newcriterion.com\/wp-content\/uploads\/2023\/06\/suitesdunbalmasque-gerome-museeconde-1.jpeg","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"https:\/\/newcriterion.com\/posts\/media\/\" class=\"advgb-post-tax-term\">Media<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">Media<\/span>"]},"tags":{"linked":["<a href=\"https:\/\/newcriterion.com\/posts\/media\/\" class=\"advgb-post-tax-term\">Culture<\/a>","<a href=\"https:\/\/newcriterion.com\/posts\/media\/\" class=\"advgb-post-tax-term\">Diversity<\/a>","<a href=\"https:\/\/newcriterion.com\/posts\/media\/\" class=\"advgb-post-tax-term\">Podcasts<\/a>","<a href=\"https:\/\/newcriterion.com\/posts\/media\/\" 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