Art

  • Ab Ex at MOMA

    On “Abstract Expressionist New York” at the Museum of Modern Art, New York.

  • Gallery chronicle

    On new media and the phenomenon of Loren Munk, whose work is on view at “New Year, New Work, New Faces” at Storefront Gallery, Brooklyn; “It’s All Good!!: Apocalypse Now” at Sideshow Gallery, Brooklyn; “Paper 2011” at Janet Kurnatowski Gallery; “I Like the Art World and the Art World Likes Me” at the Elizabeth Foundation for the Arts; and “#TheSocialGraph: An Evolving Exploration of Social Media Art” at Outpost gallery, Queens.

  • Continental currents between the wars

    On “Chaos and Classicism: Art in France, Italy, and Germany, 1918–1936,” at the Solomon R. Guggenheim Museum, New York.

  • Exhibition note

    On “John Baldessari: Pure Beauty” at The Metropolitan Museum of Art, New York.

  • Exhibition note

    On “The Unilever Series: Ai Weiwei” at Tate Modern, London, UK.

  • Gallery chronicle

    On “Andy Piedilato: New Paintings” at English Kills Art Gallery, Brooklyn; “Andrew Hurst” at Storefront, Brooklyn; “Marksmen and the Palimpsests” at Centotto, Brooklyn; “Sacred Presence/Painterly Process” at the Derfner Judaica Museum, The Bronx & “Becoming Modern in America” at Minus Space, Brooklyn.

  • Henry Moore revisited

    On “Henry Moore,” originally on view at Tate Britain currently on view at Art Gallery of Ontario, in reduced form and retitled as “The Shape of Anxiety: Henry Moore in the 1930s.”

  • Exhibition note

    On Franz Xaver Messerschmidt 1736–1783: From Neoclassicism to Expressionism” at The Neue Gallerie, New York.

  • Exhibition note

    On “Arcimboldo, 1527–1593: Nature & Fantasy” at The National Gallery of Art, Washington, DC.

  • Exhibition note

    On “Paul Cézanne: The Card Players” at The Courtauld Gallery, London.

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