Music December 2022
New York chronicle
by
On Maxim Vengerov and Polina Osetinskaya at Carnegie Hall, the City of Birmingham Symphony Orchestra, La traviata, and the New York Philharmonic at the new David Geffen Hall.
On Maxim Vengerov and Polina Osetinskaya at Carnegie Hall, the City of Birmingham Symphony Orchestra, La traviata, and the New York Philharmonic at the new David Geffen Hall.
On The Impossible Art: Adventures in Opera by Matthew Aucoin.
On a performance by the ARTEK ensemble of chamber and vocal music by Dietrich Buxtehude.
On a concert of the New York Philharmonic, conducted by Jakub Hrůša.
On an evening with Andreas Ottensamer (clarinet) and Alessio Bax (piano) in Weill Recital Hall.
Jay Nordlinger, The New Criterion’s music critic, talks music—but, more important, plays music.
A discussion of poetic shape-shifting.
Jay Nordlinger, The New Criterion’s music critic, talks music—but, more important, plays music.
Jay Nordlinger, The New Criterion’s music critic, talks music—but, more important, plays music.
Jay Nordlinger, music critic of The New Criterion, talks music—but, more important, plays music.