Absinthe minded
by Barnaby Conrad III
On the preferred potable of Paris’s avant-garde.
On the preferred potable of Paris’s avant-garde.
On Daniel Chester French’s Marquis de Lafayette.
On “Vertigo of Color: Matisse, Derain, and the Origins of Fauvism” at the Metropolitan Museum of Art, New York.
On the masters’ parallel methods.
On the newly reconstructed Berliner Stadtschloss façade.
On the missing arms of Matisse’s Le Serf.
On “Art for the Millions: American Culture and Politics in the 1930s” at the Metropolitan Museum of Art, New York.
On Modern Buildings in London by Ian Nairn & the exhibitions “Portraits of Dogs” & “Turner and Bonington” at the Wallace Collection, London.
On the much-neglected Georgian artist Niko Pirosmani.
On Sabbath’s Theater, Gutenberg! The Musical! & Emergence.
On “The Hub of the World: Art in Eighteenth-Century Rome” at Nicholas Hall, New York.
On “Picasso: A Cubist Commission in Brooklyn” at the Metropolitan Museum of Art, New York & “Picasso in Fontainebleau” at the Museum of Modern Art, New York.
On recent performances at Carnegie Hall, David Geffen Hall & the Park Avenue Armory.
On the Left’s anti-Semitism problem.
On new poetry by Whitney Hanson, Terrance Hayes, Catherine Tufariello, Nicole Sealey & Ishion Hutchinson & Emily Wilson’s new translation of The Iliad.
A review of The Oldest Book in the World by Bill Manley.
A review of Before the Gilded Age by Mark L. Goldstein.
A review of The Pensive Citadel by Victor Brombert.
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On a day in the artist’s studio.
Notes & Comments
Tenured barbarians
by the Editors
On academic anti-Semitism.