Being Leonardo
by James Hankins
On “Léonard de Vinci” at the Louvre.
On “Léonard de Vinci” at the Louvre.
On the expansion and reinstallation of the Museum of Modern Art.
On “Bertoldo di Giovanni: The Renaissance of Sculpture in Medici Florence” at the Frick Collection.
On Bricks & Brownstone: The New York Row House by Charles Lockwood.
On “Bonnard to Vuillard: The Intimate Poetry of Everyday Life—The Nabi Collection of Vicki and Roger Sant,” at the Phillips Collection.
On “From the Schuylkill to the Hudson: Landscapes of the Early American Republic,” at the Pennsylvania Academy of the Fine Arts.
On Dogs in Art by Susie Green.
On The Complete Outsider: Always Almost: Never Quite by Brian Sewell.
On American architectural style.
On A German Officer in Occupied Paris: The War Journals, 1941–1945 by Ernst Jünger.
On The Sound Inside at Studio 54, Slave Play at the Golden Theatre & The Rose Tattoo at the American Airlines Theatre.
On a new series of works by the American artist Wayne Thiebaud.
On “John Singer Sargent: Portraits in Charcoal” at the Morgan Library & Museum.
On “N. C. Wyeth: New Perspectives” at the Portland Museum of Art.
On the pianist Marc-André Hamelin; Orfeo ed Euridice at the Metropolitan Opera; the Munich Philharmonic, conducted by Valery Gergiev; and the soprano Golda Schultz.
On the narcissism of small differences.
On The Truth about Magic by Atticus, Feel Free by Nick Laird, Arias by Sharon Olds, Song of Songs: A Poem by Sylvie Baumgartel, Frolic and Detour by Paul Muldoon & Terminator: Poems, 2008–2018 by Richard Kenney.
Notes & Comments
Peter Collier, 1939–2019
by the Editors
On the life and work of Peter Collier.