The indispensable country
by Conrad Black
On the unique nature of American exceptionalism.
On the unique nature of American exceptionalism.
On two great twentieth-century poets.
On the purpose of the American academy.
On the development of the activist movement.
On George Eliot’s Silas Marner.
On Skeleton Crew, Prayer for the French Republic, and Intimate Apparel.
On “The Hare with Amber Eyes” at the Jewish Museum, New York.
On “Charles Ray: Figure Ground” at the Metropolitan Museum of Art, New York.
On “Leon Kossoff: A Life in Painting” at Mitchell-Innes & Nash, “Rodrigo Moynihan: The Studio Paintings, 1970s & 1980s” at David Nolan Gallery, “Paul Resika: Self-Portraits, 1946–2021” at Bookstein Projects, “Paul Resika: Allegory (San Nicola di Bari)” at the New York Studio School & “Drawings: Rackstraw Downes” at Betty Cuningham Gallery.
On performances at the Museum of Jewish Heritage, Lincoln Center, and Carnegie Hall.
On the media’s portrayal of Boris Johnson.
On For the Freedom of Zion: The Great Revolt of Jews against Romans, 66–74 C.E. by Guy MacLean Rogers.
Notes & Comments
Sick with guilt
by The Editors
On the loss of purpose in cultural institutions.