December 2022
Decline . . .
On the rot in American institutions.
On the rot in American institutions.
On the Twitterati and art vandals.
On the famous modernist critic.
On the politicization of the American library.
On “The Tudors: Art and Majesty in Renaissance England” at the Met.
A review of On est bien arrivés by Renaud Epstein.
On David Smith: The Art and Life of a Transformational Sculptor by Michael Brenson.
On “Sargent and Spain” at the National Gallery of Art.
On “Mr. Pergolesi's Curious Things: Ornament in Eighteenth-Century Britain” at the Cooper Hewitt.
On the mystique of the British monarchy.
On the career of Abdulrazak Gurnah.
On the history of ballet and politics.
On Leopoldstadt, Topdog/Underdog, and 1776.
On “Matisse in the 1930s” at the Philadelphia Museum of Art.
On “Modigliani Up Close” at the Barnes Foundation.
On Maxim Vengerov and Polina Osetinskaya at Carnegie Hall, the City of Birmingham Symphony Orchestra, La traviata, and the New York Philharmonic at the new David Geffen Hall.
On the midterms and the media’s treatment of Liz Truss.
On Cotton Candy by Ted Kooser, Musical Tables by Billy Collins, Midwood by Jana Prikryl, Songs of the Closing Doors by Patrick Phillips, Time Is a Mother by Ocean Vuong, and Canopy by Linda Gregerson.
On the pianist’s career and method.
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