Of the dozens of family-run music publishers that flourished in Paris in the early twentieth century, only a handful remain, including Editions Enoch et Cie and Editions Lemoine. Both of these houses, over one hundred and two hundred years old, respectively, have survived, in part, by specializing in the music of French composers, and by forging close personal relationships with living musicians whose works they publish. In addition to selling print copies of their editions, they rent instrumental parts of their published orchestral scores and charge fees when their editions are used for public performances. Given the drastic decline of Paris’s once-vigorous print music publishing industry, musicians will be heartened to learn that a relatively recent addition to this dwindling cadre of publishers, the eponymous Bureau de Musique Mario Bois, is celebrating its fiftieth anniversary.


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