February 2020
Roger Scruton, 1944–2020
On the life and work of the brilliant and tireless philosopher.
On the life and work of the brilliant and tireless philosopher.
On The Dolphin, its source material, and recent editions thereof.
On the achievements and legacy of the late historian.
On the engineer of the French organ revival.
On Plato’s answer to the Trump question.
On the past and future of party membership in Britain.
On the composer’s musical response to John Donne’s poetry.
On the beloved brainchild of George MacDonald Fraser.
On Harry Townsend’s Last Stand at Stage II at City Center, The Inheritance at the Ethel Barrymore Theatre, and MsTrial at New World Stages.
On “Edith Halpert and the Rise of American Art” at the Jewish Museum.
On modernist installations in New York City and beyond.
On “Edward Hopper and the American Hotel” at the Virginia Museum of Fine Arts.
On “The Expressionist Legacy” at Galerie St. Etienne; “Depicting Duchamp: Portraits of Marcel Duchamp and/or Rrose Sélavy” at Francis M. Naumann Fine Art; “Gabriele Evertz: Exaltation” at Minus Space; “Rob de Oude: Light of Day” at McKenzie Fine Art; and “Eric Brown: Longhand” at Theodore:Art.
On Alma Deutscher’s Carnegie Hall debut.
On Winterreise with Joyce DiDonato and Yannick Nézet-Séguin; a performance by the McGill/McHale Trio; and The Queen of Spades at the Metropolitan Opera.
On mischief masquerading as “The Truth.”
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