Some love is like a light store
you slip inside only to escape
the rain. Something to see, it turns out:
the plasma lamps, mosque and lava,
the elegant icicles of the chandeliers,
shapes and shades so insistently singular
that rooms can’t help but happen around them,
lives can’t help but acquire choices and chances
inside. Some love is like an old owner
who when a child walks in with her parents
can only imagine shatterings.
And some love is like that child
asking with an earnest and exemplary awe,
“Where do they keep the dark?”

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This article originally appeared in The New Criterion, Volume 38 Number 5, on page 40
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