The good populism
by Victor Davis Hanson
On populism and the middle class.
On populism and the middle class.
A review of The Political Theory of the American Founding by Thomas G. West.
A review of Pater the Classicist: Classical Scholarship, Reception, and Aestheticism, edited by Charles Martindale, Stefano Evangelista, and Elizabeth Prettejohn.
On the state and prospect of classical architecture.
On Cumberland Clark, the bard of Bournemouth.
On the National Society of Colonial Dames of America.
A review of Hadrian’s Wall by Adrian Goldsworthy.
On Travesties at the American Airlines Theatre and Three Tall Women at the John Golden Theatre.
On “Painting After Postmodernism: Belgium–Italy–USA,” at the Reggia di Caserta, Caserta, Italy.
On “Chaim Soutine: Flesh” at the Jewish Museum.
On “All Too Human: Bacon, Freud and a Century of Painting Life” at Tate Britain, London.
On “The Unbroken Line: Old and New Masters” at Robert Simon Fine Art, “Paul Resika: Geometry and the Sea” at Steven Harvey Fine Art Projects and Bookstein Projects, “Marc de Montebello: Recent Work” at W. M. Brady & Co., “Sculpture 56” at 56 Bogart Street & “LES YES!” at The Storefront Project.
On a harpsichord recital by Mahan Esfahani, concerts conducted by Manfred Honeck and Mariss Jansons, a piano recital by Daniil Trifonov, a Bach concert led by Bernard Labadie, and a duo recital by Sol Gabetta (cello) and Bertrand Chamayou (piano).
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On comedic and journalistic laziness.
On Wi the Haill Voice: 25 Poems by Vladimir Mayakovsky, translated by Edwin Morgan, Night Sky with Exit Wounds by Ocean Vuong, The Astropastorals by Douglas Crase, A Memory of the Future by Elizabeth Spires, Stumbling Blocks: Roman Poems by Karl Kirchwey & Claude Before Time and Space by Claudia Emerson.
On Baron Hans Heinrich Thyssen-Bornemisza & J. Paul Getty.
Notes & Comments
Tom Wolfe, 1930—2018
by The Editors
On the late literary treasure.
A word of thanks
by The Editors
Acknowledging the support of our circle of friends.