February 2018
Ave atque vale
The New Criterion remembers a number of close friends.
The New Criterion remembers a number of close friends.
On a new Classics journal published by the Paideia Institute.
On Latin as an alive and spoken language.
On the composer, conductor, pianist, and writer Leonard Bernstein.
On writing, and on English style.
On illicit literature of the French Revolution.
On history alive and dead in Zimbabwe.
On the economic lessons of Alessandro Manzoni’s The Betrothed.
On Disco Pigs at the Irish Rep, Hindle Wakes at the Clurman Theatre, & Farinelli and the King at the Belasco Theatre.
On “Veronese in Murano: Two Venetian Renaissance Masterpieces Restored” at the Frick Collection.
On “Opera: Passion, Power and Politics” at the Victoria and Albert Museum.
On “Josef Albers in Mexico” at the Solomon R. Guggenheim Museum.
On the controversy surrounding the Berkshire Museum, and on “Ann Purcell: Caravan Series” at Berry Campbell, “Ben Godward: Sculptures” at Sean Scully Studio, and “Katherine Bernhardt: Green” at Canada.
On the Pittsburgh Symphony Orchestra.
On the media and the Twenty-fifth Amendment.
Remembering the life and works of Dick Allen.
Remembering the life and legacy of Eugene V. Thaw.
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