September 2017
Inebriates of virtue
On iconoclasm and the restriction of free speech.
On iconoclasm and the restriction of free speech.
On the career of the literary historian Stephen Greenblatt.
On the two new residential colleges at Yale.
On the misapplication of Thucydides to international relations.
Reconsidering the literary relevance of Johann Wolfgang von Goethe.
On the graduate exhibition of the École nationale supérieure des beaux-arts in Paris.
On 1984 at the Hudson Theatre, Michael Moore: The Terms of My Surrender at the Belasco Theatre, and Miss Saigon at the Broadway Theatre.
On “The Encounter: Drawings from Leonardo to Rembrandt” at the National Portrait Gallery, London; “Alma-Tadema: At Home in Antiquity” at Leighton House Museum; and “Quentin Blake: The Only Way to Travel” at the Jerwood Gallery, Hastings-on-Sea, UK.
On “Becoming Henry Moore” at the Henry Moore Foundation in Much Hadham, UK.
On “Richard Gerstl” at the Neue Galerie New York.
On “Canaletto and the Art of Venice” at the Queen’s Gallery in London.
On the 2017 Venice Biennale and Damien Hirst’s “Treasures from the Wreck of the Unbelievable” at the Palazzo Grassi, Venice.
On performances at the Mostly Mozart Festival, the Lincoln Center Festival, and the Newport Music Festival.
On the media’s attack on decency and the decline of civilized discourse.
Remembering the life of Joseph Rago.
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