As much as a person might try, it’s impossible to escape the imprimatur and influence—some might say “taint”—of Hollywood. At the entrance to “The Mysterious Landscapes of Hercules Segers,” museum-goers encounter an introductory video narrated by the actor John Malkovich. It is, admittedly, an adroit fit: Malkovich has cultivated an air of idiosyncrasy and affectlessness in his choice of roles and in his public demeanor. Who better to introduce contemporary viewers to an intensely quixotic painter and printmaker known primarily to specialists of seventeenth-century Dutch art? Notwithstanding Malkovich’s stated admiration for Rembrandt, there’s something condescending, not to mention tiresome and predictable, in trotting out a movie star to clue us into the dimly remembered Hercules Segers (ca. 1589–ca....

 

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