April 2017
A painful lesson
On the implications of the recent debacle at Middlebury College.
On the implications of the recent debacle at Middlebury College.
On Donald Trump and the mantle of a growing movement.
On T. S. Eliot’s essay on the evaluation of literature.
On Elizabeth & George Custer’s experience with Tennyson’s works.
On Still Life with Feeding Snake, a new collection of poems by John Burnside.
On a new translation of Pearl, a Middle-English long poem, by Simon Armitage.
On memory & pain in the works of the American poet.
On William Hogarth: A Complete Catalogue of the Paintings edited by Elizabeth Einberg.
On Sunset Boulevard at the Palace Theatre, Ring Twice for Miranda at City Center, and White Guy on the Bus at 59E59 Theaters.
On “Della Robbia: Sculpting with Color in Renaissance Florence” at the National Gallery of Art.
On “Small Wonders: Gothic Boxwood Miniatures” at the Met Cloisters.
On “The Mysterious Landscapes of Hercules Segers” at the Metropolitan Museum of Art.
On the recent rehang of works at the Brooklyn Museum.
On the “Invitational Exhibition of Visual Arts” at the American Academy of Arts and Letters, “Paul Resika: Empty” at Steven Harvey Fine Art Projects, the “Talking Pictures 1st Invitational” at 106 Van Buren Street, “Bewilder: New Work by Brece Honeycutt” at Norte Maar & “Rough Matter: New Work by Rebecca Murtaugh” at Stout Projects.
On a piano recital by Igor Levit at Carnegie Hall, a new production of Rusalka performed by the Metropolitan Opera, and more recent classical music performances.
On the question of objectivity in recent coverage of the Trump administration.
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