The attractions of Knowing the Score,  David Papineau’s  collection of essays about sports and philosophy, are foreshadowed by the witty cover of its U.S. edition, which reproduces, and riffs on, a detail from Raphael’s School of Athens. It shows Plato and Aristotle, the fresco’s two central figures. Aristotle extends a hand toward the viewer; Plato points an index finger gracefully to the heavens, and on its tip is balanced a spinning basketball.

Papineau is a well-known academic philosopher and an enthusiastic amateur athlete with an ecumenical interest in sports. After agreeing to speak in a run-up conference to the 2012 London Olympics, he became unsatisfied with his attempts at writing a “typical” philosophy of sports lecture, one...

 

New to The New Criterion?

Subscribe for one year to receive ten print issues, and gain immediate access to our online archive spanning more than four decades of art and cultural criticism.

Popular Right Now