Words mean things, sir,” one of my old First Sergeants liked to say. This was his plea for carefully considered speech; he believed that words had great power and that a man was responsible for what he said. Craig Raine, in his new book on poetry, My Grandmother’s Glass Eye, makes the same case. “The first task we require of poetry,” he writes, “is to mean something” (his italics).

Here one is reminded of Matthew Arnold’s dictum that poetry should be concerned with “high seriousness” (we know Raine is a fan—a quotation of Arnold’s appears on the last page of every issue of Raine’s magazine, Areté). One also thinks of Saint Paul’s observation that “when I was a child, I talked like a child, I thought like a child, I reasoned...

 

A Message from the Editors

Since 1982, The New Criterion has nurtured and safeguarded our delicate cultural inheritance. Join our family of supporters and secure the future of civilization.

Popular Right Now