France’s “Submission”
by Anthony Daniels
A review of Michel Houellebecq’s newest novel Soumission.
A review of Michel Houellebecq’s newest novel Soumission.
On Toulmin, Tolstoy & the Dawkinsization of the humanities.
On Daniel J. Mahoney’s new book, The Other Solzhenitsyn, and why Solzhenitsyn is still relevant today.
Why Shakespeare risked including the persecuted order in his plays.
The European Parliament’s gargantuan edifices are the perfect symbols of the larger Euro-racket.
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Reviews of Tamburlaine, The Elephant Man & Peter Pan.
On “V. S. Gaitonde: Painting as Process, Painting as Life” at the Solomon R. Guggenheim Museum.
On “Peter Blume: Nature and Metamorphosis” at the Pennsylvania Academy of the Fine Arts.
On “Gary Petersen: Not Now, But Maybe Later” at Theodore:Art, “Philip Taaffe” at Luhring Augustine, “Through the Valley: New Paintings by Devin Powers” at Lesley Heller Workspace, “Fran O’Neill: Painting Her Way Home” at Life on Mars, “Sideshow Nation III: Circle the Wagons” at Sideshow Gallery, and “Paperazzi IV” at Janet Kurnatowski Gallery.
Reviews of The Long Christmas Dinner, Juanjo Mena at the New York Philharmonic, Hansel and Gretel at the Metropolitan Opera, and more.
On the media’s response to The Interview, Charlie Hebdo.
Elena Ferrante’s novels reveal the violent state of Southern Italy.
Notes & Comments
On some uses of “but”
by The Editors
Reactions to the Charlie Hebdo attacks reveal the limits of free speech.