The Visitation by Pontormo and The Assumption by Rosso

When visiting any museum with large holdings of Italian Renaissance paintings, it’s impossible not to notice how carefully the Florentine and the Venetian masters are segregated, if not in separate rooms, then surely on different walls. This is consistent with a long-held view that has identified the two schools according to their distinct and quite different qualities—drawing in Florence vs. color in Venice, for example. This view traces its origins to none other...

 

A Message from the Editors

As a reader of our efforts, you have stood with us on the front lines in the battle for culture. Learn how your support contributes to our continued defense of truth.

Popular Right Now