Books February 2013
Science and self-image
A review of Galileo by John L. Heilbron.
Galileo was born in 1564, the same year as Shakespeare and Marlowe. By 1609, Marlowe was famous and seventeen years dead; Shakespeare had written all the major plays except The Tempest; Galileo had done nothing in particular. He had dabbled in literary criticism and many other genres, occupied an undemanding post as a professor of mathematics, and supported his relatives and hangers-on largely through a sideline making his “military compass.” This was a complex calculation device that, like modern software, cost for the package and cost again for the training. Besides that, Galileo’s intellectual capital consisted of some disorganized jottings on mechanics and an unshakable conviction of his own genius.
Then opportunity knocked, and Galileo was ready to move fast. Rumors reached Italy of a Dutch invention involving glass lenses in a tube that magnified objects at a...
New to The New Criterion?
Subscribe for one year to receive ten print issues, and gain immediate access to our online archive spanning more than four decades of art and cultural criticism.
Subscribe