Features December 2013
On how camera technology and the iPhone are changing the museum experience.
For some time, art museums have been expending considerable amounts of energy and other resources on a broad campaign of public engagement designed to establish a stronger bond between themselves and the public, and thus cement the museum’s place as an essential—even indispensable—component of public life. Social media promotes their programs and addresses the public in other ways, “crowdsourcing” guides them in their acquisition and exhibition decisions, and “crowdfunding” helps pay for them. All manner of events and programs are put on in hopes of making the museum an appealing, even hip destination. Last year, one institution—the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts—even invited an adolescent to curate an exhibition. So far this campaign seems to be paying dividends. In September, The New York Times reported that the Metropolitan Museum of...
A Message from the Editors
At The New Criterion we will always call things by
their real names.
As a reader of our efforts, you have stood with us on the front lines in the battle for culture. Learn how your support contributes to our continued defense of truth.
