The most damning criticism of Surrealist art is also the most ironic given its source: the pioneering psychoanalyst Sigmund Freud. After meeting Salvador Dalí, Freud stated that he found the Spaniard’s conscious mind of greater interest than his unconscious mind. Freudian theory was, if not the sine qua non of Surrealism, then an inescapable touchstone. His comment, then, was a veritable dismissal of Dalí’s attempts at tapping into “the mystery without which the world would not exist.” Dalí...

 

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