Richard John Neuhaus, 1936–2009
On the passing of Samuel Huntington and The Clash of Civilizations.
Revisiting the lasting, provocative wisdom of Edmund Burke.
On the career of Judge Robert H. Bork and his latest book, A Time to Speak: Selected Writings and Arguments.
On the play, Whose Life Is It, Anyway?, by Brian Clark and the morality of patient autonomy.
On the pleasures of fellowship at the margins of literary life.
On the centennial celebration of Antony Tudor at the ABT.
On the revival of Pal Joey at the Roundabout, Shrek: The Musical at the Broadway Theater, and The Cripple of Inishmaan at the Atlantic Theater Company.
On “Pride of Place: Dutch Cityscapes in the Golden Age” at the National Gallery of Art, Washington, D.C.
On “Marlene Dumas: Measuring Your Own Grave” at the Museum of Modern Art, New York.
On “Babylon: Myth and Reality” at the British Museum, London.
On “Philip Guston: 1954–1958” at L&M Arts, “John Walker: Drawings 1973–1975” at Knoedler & Company & “Biala: Collages 1957–1963” at Tibor de Nagy Gallery.
On Sergei Babyan at the 92nd St. Y; Alisa Weiler and the MET Chamber Ensemble at Zankel Hall; The Queen of Spades, La rondine, and Orfeo et Eurydice at the Metropolitan Opera; The King’s Singers’ Christmas concert and Lorin Maazel with the New York Philharmonic at Carnegie Hall; Yefim Bronfman and the New York Philharmonic at the Metropolitan Museum of Art
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