The metaphysics of Richard Wilbur
by Daniel Mark Epstein
Does society appreciate one of its finest metaphysical poets?
Does society appreciate one of its finest metaphysical poets?
On Lawrence Rainey’s scholarly new edition of The Annotated Waste Land with Eliot’s Contemporary Prose.
On the foibles and finer points of the poet John Wilmot, Lord Rochester.
Formalism versus free verse, revisited.
On two stories in which we “see encapsulated the tragic predicament of modern man.”
On David Mamet’s Romance at the off-Broadway Atlantic Theater; Christopher Shinn’s On the Mountain at the Peter J. Sharp Theatre, New York; & Gina Gionfriddo’s After Ashley at the Vineyard Theatre, New York.
On “Stuart Davis and American Abstraction: A Masterpiece in Focus ” at the Philadelphia Museum of Art.
On the world’s preeminent art fair.
On “The Armory Show: The International Fair of New Art” at Piers 90 & 92; the seventeenth annual ADAA “Art Show” at the 67th Street Armory; the AIPAD “Photography Show” at the New York Hilton; the Outsider Art Fair at the Puck Building; & the Winter Antiques Show also at the 67th Street Armory.
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On Lorin Maazel and the New York Philharmonic; the Emerson, Orion and Brentano String Quartets; the Metropolitan Opera’s Barber of Seville; & André Previn with the Oslo Philharmonic at Carnegie Hall.
On some consequences of refusing to engage “the other side” – your opponents’ arguments.
A review of Robert Southey: Poetical Works 1793–1810, by Robert Southey, edited by Lynda Pratt.
A review of William Pitt the Younger, by William Hague.
A review of Break, Blow, Burn: Camille Paglia Reads Forty-Three of the World’s Best Poems, by Camille Paglia.
On the death and legacy of the poet Michael Donaghy.
Notes & Comments
A thank-you to Ward Churchill
by The Editors
On one positive outcome of an unfortunate academic fiasco.
The New Criterion on poetry
by The Editors
On the contents of our third annual special poetry section.