Mao & the Maoists
by Keith Windschuttle
A new look at the legacy of one of the twentieth century’s most brutal killers.
A new look at the legacy of one of the twentieth century’s most brutal killers.
A look back at the career of the Library of America’s newest addition.
Two great holy books revisited.
Laura Jacobs on the Bolshoi Ballet.
A new poem.
On the musical Lennon and a “rock musical” production of Two Gentleman of Verona.
On “Looking at Atget,” which opened at the Philadelphia Museum of Art on September 10 and remains on view through November 27, 2005.
On “The Art of Richard Tuttle,” which opened at the San Francisco Museum of Modern Art on July 2 and remains on view through October 16, 2005.
On “Floating Island to Travel Around Manhattan Island,” by Robert Smithson; “Philip Pearlstein” at Betty Cuningham Gallery; “Jordan Wolfson: Recent Work” at DFN Gallery; “Philip-Lorca de Corcia: Lucky Thirteen” at PaceWildenstein; “Jean Hélion” at the National Academy Museum & and Salander-O’Reilly Galleries, for Old Master and Renaissance art and
sculpture, recently opened at 22 East 71st Street.
On the offerings at the 2005 Salzburg Festival.
On some recent displays of media moralizing.
A review of Robin Lane Fox’s The Long March and Tim Rood’s “The Sea! The Sea!”
On Lewis M. Dabney’s Edmund Wilson.
On Jonathan Kozol’s The shame of the nation.
On The Correspondence of Camille Saint-Saëns & Gabriel Fauré, edited by Jean-Michel Nectoux.
Notes & Comments
Beyond parody at the Times
by The Editors
On some preposterous “cultural coverage” at The New York Times.