The felicific calculus of modern medicine
by Anthony Daniels
The third in a series titled “The survival of culture.”
The third in a series titled “The survival of culture.”
On the poet & polemicist, occasioned by the publication of Temporal and Eternal, translated by Alexander Dru.
On Islam & terrorism.
Occasioned by the publication of A Moral Temper: The Letters of Dwight Macdonald.
On the British press’s coverage of the atrocities of September 11
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On Exit the King, by Eugene Ionesco, Rude Entertainment, by Paul Rudnick, Ovid’s Metamorphoses directed by Mary Zimmerman, and Broadway in the wake of September 11.
A review of “Louis M. Eilshemius: An Independent Spirit,” at the National Academy of Design & “Louis Eilshemius . . . Imagine That!,” at Gallery Gertrude Stein.
On “Philip-Lorca diCorcia: Heads,” at the PaceWildenstein; “Grace Hartigan: A Survey of Five Decades 1950-2000,” at ACA Galleries; “Dorothea Tanning: Drawings, Collages, and Soft Sculptures,” at the Zabriskie Gallery & “Whiting Tennis,” at Derek Eller Gallery.
On the start of the season for the New York Philharmonic and the Metropolitan Opera.
On the Seattle Opera’s performance of Wagner’s Ring cycle.
On The Glimmerglass Opera Festival in Cooperstown, NY.
On the pseudo insights of those writing about, and expatiating on September 11.
A review of The Corrections, by Jonathan Franzen; After the Plague and Other Stories, by T. C. Boyle; Up in the Air, by Walter Kirn; John Henry Days, by Colson Whitehead; The Amazing Adventures of Kavalier and Clay, by Michael Chabon & Pafko at the Wall, by Don DeLillo.
A review of Affairs of Honor: National Politics in the New Republic, by Joanne B. Freeman.
Notes & Comments
A burst of clarity
by The Editors
Absolute relativism
by The Editors