I have a weakness for minor artists. But they must be genuinely minor, by which I mean that they mustn’t lapse into minority through overreaching, want of energy, crudity, or any other kind of ineptitude. They must not be failed major artists merely. The true minor artist eschews the noble and the solemn. He fears tedium for his audience, but even more for himself. He sets out to be, and is perfectly content to remain, less than great. The minor artist knows his limits and lives comfortably within them. To delight, to charm, to entertain, such are the goals the minor artist sets himself, and, when brought off with style and verve and elegant lucidity, they are—more than sufficient—wholly admirable.

Gerald Tyrwhitt-Wilson (1883–1950), the fourteenth Lord Berners, was the very model of the minor artist, a title he would, I think, neither disclaim nor disdain. He painted, he wrote, he composed (for Diaghilev but also...

 

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