Peter Horn is a poet and critic who spent decades in outspoken opposition to apartheid. His fights with the establishment in the universities, his patronage of young black writers, and the total publication ban under which he worked for a time evoked so much domestic and international sympathy as to make the quality of his writing–and he happened to write extremely well—irrelevant. His academic reputation was comfortable, and he received actual— even literal—acclaim. He remembers poetry readings at political rallies, with cheering audiences of several thousand. Now he is thinking of emigrating. Part of his frustration has been the five-year wait for prize money owed him by a writers’ organization which moved mostly on political energy and is now stumbling like a wino.

J. M. Coetzee is one of Horn’s colleagues on the faculty of the University of Cape Town. Some of Coetzee’s novels are set in apartheid South Africa, but he has never made explicit political statements. His most famous works, Waiting for the Barbarians and The Master of Petersburg, are, respectively, a fable about the frontier of an imaginary authoritarian country and a historical fiction about Dostoevsky. Though Coetzee is well set up to prosper in the new era, he prospers not as a voice of South Africa but as an international writer merely emanating from the Third World, a writer like Gabriel García Márquez or Salman Rushdie. All three (even poor Rushdie, lately) are away from home a great deal and take a cosmopolitan