Winter deceived us. Now the March wind
Heckles the weatherboarding of the barn,
Drives the weathercock out of his mind.
Poor counterfeit! He can’t tell North from South
Or night from day now they are equal and
The lamb’s head is in the lion’s mouth.
A heron or a heron’s ghost in the mist
Wades the marsh, hieratic, Egyptian,
An elegant, high-stepping egoist
With the rare balance to stand alone
In cross winds, still as a bird of iron:
An emblem of long life, so I’ve heard.
Yet, pinned to the cupola, that painted bird,
Wind-drunk, sun-blind, man-made,
Will outlast him—and me, too, I’m afraid—
An emblem of human thought awhirl upon
Its axis, fanning the compass for direction
While the world ponders, turning in precession
Of the equinoxes, framing an axial space
Like the veering spindle of a spinning top.
Winter deceived us, making us embrace
The long darkness, the hopeless horoscope.
Now something about this vernal equinox
Piques my Libra nature, my need to balance
Future darkness against the daily light.
Neither old nor young at forty-six
I study the hunting patience of the herons,
The mad persistence of the weathercocks …
What days will come to equal the coming night?
-
Equinox at Newport Farms
This article originally appeared in The New Criterion, Volume 15 Number 1, on page 96
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