Pissarro … remains the painter for those who look at, rather than for those who read about, painting.
—Walter Sickert, 1923

Only someone who has experienced painting as a world in which it is possible to immerse as well as divert oneself can appreciate the inflections of Pissarro’s painting. Shock and immediate effects are sacrificed for the sake of subtleties, passages, modulations, the mediation of contrasts. And little masterpieces are to be found complete in themselves in the dozen or so brushstrokes with which such a detail as a cab is indicated.
—Clement Greenberg, 1944

There are great painters who seem fated to be perpetually rediscovered, and Camille Pissarro (1830–1903) is one of them. Everyone with an interest in modern painting knows, or thinks he knows, Pissarro’s work, but in the large-scale museum surveys devoted ...

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