Features March 1989
I.A. Richards: critic as scientist
A review of I. A. Richards: His Life and Work by John Paul Russo

For many of us with an interest in twentieth-century literary criticism, Ivor Armstrong Richards is at once a central and a problematic figure. He was, of course, one of the most influential critics of the modern age, if not the most influential. His emphasis on rigor, precision, and the poem-as-object earned him (from some) the impressive sobriquet “father of the New Criticism,” while his preoccupation with theory and with the relativity of literary truth reflects more than coincidental—and less than delightful—affinities with the practitioners of deconstruction. As John...
New to The New Criterion?
Subscribe for one year to receive ten print issues, and gain immediate access to our online archive spanning more than four decades of art and cultural criticism.
Subscribe