In the first few moments of Milan Kundera’s play Jacques and His Master—which had its American premiere this season at the American Repertory Theatre in Cambridge under the directorship of Susan Sontag— two men in eighteenth-century garb walk out onstage. One of them, on catching...

 

A Message from the Editors

Since 1982, The New Criterion has nurtured and safeguarded our delicate cultural inheritance. Join our family of supporters and secure the future of civilization.

Popular Right Now