The London theater season seems to be off to an uneasy start this year with Poppy, a major musical at the Royal Shakespeare Company’s new home in the Barbican Theater. Its book and lyrics are by Peter Nichols, author of The National Health and A Day in the Death of Joe Egg, and its music is by Monty Norman, best known for his theme for the James Bond movies. Poppy adapts for the musical stage a rough outline of the history of the English Opium Wars with China in the reign of Queen Victoria.
The story it tells is one of hypocrisy and exploitation: of how, in order to provide a market for the opium produced by sharecroppers in their Indian domains, the Victorians encouraged opium addiction in China; of how, when the Chinese Emperor attempted to obstruct the importation of opium, English guns were brought to bear against Chinese crossbows; and of how, in the conflict which raged on and off for the next forty years, the island of Hong Kong was ceded to the British Crown and the Summer Palace at Peking, repository of two thousand years of Chinese history and culture, was looted and razed in a single act of British vengeance.
Poppy will inaugurate the RSC’s first season at the Barbican. Located in “the City,” the heart of London’s business district, the new center for the performing arts, elegant and impressive though it is, is by no means easy to
