Art May 2022
Gallery chronicle
On “The Utopian Avant-Garde: Soviet Film Posters of the 1920s” at Poster House, New York and “Thornton Willis: A Painting Survey, Six Decades, 1967–2017” at David Richard Gallery, Chelsea and Harlem, New York.
On “The Utopian Avant-Garde: Soviet Film Posters of the 1920s” at Poster House, New York and “Thornton Willis: A Painting Survey, Six Decades, 1967–2017” at David Richard Gallery, Chelsea and Harlem, New York.
On the latest Whitney Biennial, “Quiet as It’s Kept.”
On “Jacques Louis David: Radical Draftsman” at the Metropolitan Museum of Art.
On “Holbein: Capturing Character” at The Morgan Library, New York.
On “Milton Avery” at the Wadsworth Atheneum, Hartford.
On “The Hare with Amber Eyes” at the Jewish Museum, New York.
On “Charles Ray: Figure Ground” at the Metropolitan Museum of Art, New York.
On “Leon Kossoff: A Life in Painting” at Mitchell-Innes & Nash, “Rodrigo Moynihan: The Studio Paintings, 1970s & 1980s” at David Nolan Gallery, “Paul Resika: Self-Portraits, 1946–2021” at Bookstein Projects, “Paul Resika: Allegory (San Nicola di Bari)” at the New York Studio School & “Drawings: Rackstraw Downes” at Betty Cuningham Gallery.
On “The African Origin of Civilization” at the Metropolitan Museum of Art, New York.
On “Joseph E. Yoakum: What I Saw” at the Museum of Modern Art, New York.