Jay Nordlinger, The New Criterion’s music critic, talks music—but, more important, plays music.
March 22, 2023
A smorgasbord of music, from the light and Viennesey to the angular and modern.
Bacewicz, Overture for Orchestra
Vustin, “Lamento”
Sæverud, “Ballad of Revolt”
Johnston/Burke, “Pennies from Heaven”
Escaich, “Nun komm”
Helmesberger, “Entr’acte Valse”
Mussorgsky, Serenade, from “Songs and Dances of Death”
Strauss, Eduard, “Mit Extrapost — Polka schnell”
Giordano, “Amor ti vieta,” from “Fedora”
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