Jay Nordlinger, The New Criterion’s music critic, talks music—but, more important, plays music.
February 03, 2021
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What a strange title. What could it mean? That Jay addresses “The Well-Tempered Clavier” (both books), that masterpiece by Bach. And that he addresses music by Catalan composers. A successful mixture, we think you will find.
Bach, Prelude and Fugue in C major, “The Well-Tempered Clavier,” Book II
Montsalvatge, two songs from “Cinco canciones negras”
Mompou, “Secreto,” from “Impresiones íntimas”
Mompou, “Damunt de tu només les flors,” from “Combat del somni”
Fábregas, Elisenda, “Pluja brodada,” from “Imitació del foc”
Bach, Prelude and Fugue in F-sharp minor, “The Well-Tempered Clavier,” Book I
Bach, “Gigue” Fugue in G major
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