Thornton Willis, impingement, 2015, oil on canvas, 77 x 61 inches/Courtesy: Elizabeth Harris Gallery

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This week: Young Poets and Dance-art Pairings.

Nonfiction: The Whole Harmonium: The Life of Wallace Stevens, by Paul Mariani (Simon & Schuster): Wallace Stevens always lived in a bit of a shadow. His first book of poetry, Harmonium, was published just after Eliot’s Waste Land, and the latter received its due attention while the former registered as a mere blip. Percy Hutchison, writing in The New York Times in 1931 declared that, “unpleasant as it is to record such a conclusion, the very remarkable work of Wallace Stevens cannot endure.” Unpleasant, and wrong, I might add. Stevens’s work has endured, standing as a shining example of the American Modernist style. Not bad for an insurance executive from Hartford. In his new biography of Stevens, Paul Mariani details the struggles Stevens faced in managing his dual life, and the splendid resultant work. —BR

Poetry: “The Tenth Annual Dara Mandle Young Poets Reading,” at the National Arts Club (April 5): This Tuesday, the annual Young Poets reading returns to the National Arts Club, courtesy of my better half. The Tenth Annual Dara Mandle Young Poets reading presents an all-star lineup of five series alumni returning for the anniversary reading: Rachel Eliza Griffiths, Adam Kirsch, Jason Koo, Meghan O’Rourke, and Brenda Shaughnessy. The reading begins at 8PM in the club’s Gilded-Age digs off Gramercy Park and is free and open to the public. —JP

Art: “Step Up,” by Thornton Willis, at Elizabeth Harris Gallery (Through May 7): Thornton Willis, the painter’s painter, returns to Elizabeth Harris Gallery for “Step Up,” his latest exhibition of new work. An original Soho abstractionist, Willis has grown ever more energized and primal since coming of age in the downtown painting scene nearly half a century ago. Paired to the latest show of teetering blocks and dazzling stripes, a new hardcopy collection of critical essays about Willis’s life and work is on sale at the gallery, featuring writing by Julie Karabenick, Vittorio Colaizzi, Lance Esplund—and me. —JP

Music: Beethoven and Strauss, conducted by Manfred Honeck, at the Metropolitan Opera (April 7–9, 12) and The Dover Quartet, at Carnegie Hall (April 8): Among the top contenders to be the New York Philharmonic’s new music director was Manfred Honeck, currently the chief of the Pittsburgh Symphony Orchestra. He is particularly renowned as an interpreter of the Romantic warhorses, and indeed I’ve heard him lead memorable performances of that repertoire, including a revelatory Mahler Symphony No. 2 at Tanglewood two summers ago. This weekend we’ll have a vision of what might have been, as he conducts the New York Philharmonic in Suppé’s Poet and Peasant Overture, Beethoven’s Symphony No. 6 (“Pastoral”), and Richard Strauss’s Oboe Concerto with Liang Wang, the Philharmonic’s principal oboist. Notice is also due to the Dover String Quartet, one of America’s fastest rising young chamber ensembles. On Friday they’ll give a powerhouse program at Weill Recital Hall: Dvorak’s “American” String Quartet, Alban Berg’s String Quartet, and the first of Beethoven’s celebrated “Razumovsky” Quartets. —ECS

Dance: “CounterPointe,” at the Actors Fund Art Center (April 8–10): Norte Maar, the Brooklyn-based arts nonprofit, will show its collaborative roots this Friday through Sunday with the fifth anniversary of “CounterPointe,” its all-woman showcase of new art and dance for pointe in collaborative pas de deux. Working with Brooklyn Ballet at the Actors Fund Arts Center in downtown BK, this year “CounterPointe” will stage seven new dance-art pairings, featuring choreography by Kristin Draucker with the sculptor Kara Daving, Julia K. Gleich with the sculptor Rachel Beach, Brenda Neville with the sculptor Courtney Puckett, Lynn Parkerson with the artist Michelle Forsyth, Janice Rosario with the painter Jessica Weiss, Ursula Verduzco with the sculptor Sarah Bednarek, and Eryn Renee Young with the artist Amanda Browder. —JP

From the archive: Shakespeare as shaman, by C. H. Sisson: A review of Ted Hughes’s Shakespeare and the Goddess of Complete Being.

From our latest issue: London chronicle, by Dominic Green: A review of recent shows in the London art scene.

A Message from the Editors

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