Andrew L. Shea is Assistant Editor at The New Criterion. He graduated from Dartmouth College in 2017 with a B.A. in English and Studio Art, after which he was the fifth Hilton Kramer Fellow in Criticism at The New Criterion. In addition to his editorial work, he writes regularly about art and culture and continues to maintain an active studio painting practice.
website: https://www.andrewlshea.com/
On “Bonnard to Vuillard: The Intimate Poetry of Everyday Life—The Nabi Collection of Vicki and Roger Sant,” at the Phillips Collection.
On “Abstract Climates: Helen Frankenthaler in Provincetown” at the Parrish Art Museum.
On “Monsters & Myths: Surrealism and War in the 1930s and 1940s” at the Baltimore Museum of Art and “Joan Miró: Birth of the World” at the Museum of Modern Art, New York.
On “Pat Passlof: The Brush is the Finger of the Brain—Paintings 1949–2011” at the Milton Resnick and Pat Passlof Foundation.
On a “lost” Caravaggio, European guilds, and Beto O’Rourke’s art history lecture.
On D-Day, Naomi Wolf, “Music for a While” & more.
Executive Editor James Panero and Assistant Editor Andrew Shea sit down for a conversation on cultural politics amid the flurry of activity at the Whitney Biennial.
James Panero, Andrew L. Shea, and Benjamin Riley join Dominic Green on “The Green Room,” his podcast for Spectator USA.
