Andrew L. Shea is Associate Editor at The New Criterion. He graduated from Dartmouth College in 2017 with a B.A. in English and Studio Art, after which he was the fifth Hilton Kramer Fellow in Criticism at The New Criterion. In addition to his editorial work, he writes regularly about art and culture and continues to maintain an active studio painting practice.
website: https://www.andrewlshea.com/
On The Lives of Lucian Freud: The Restless Years, 1922–1968, by William Feaver & on “Lucian Freud: The Self Portraits” at the Museum of Fine Arts, Boston.
On “Bonnard to Vuillard: The Intimate Poetry of Everyday Life—The Nabi Collection of Vicki and Roger Sant,” at the Phillips Collection.
On “Abstract Climates: Helen Frankenthaler in Provincetown” at the Parrish Art Museum.
On At First Light: Two Centuries of Maine Artists, Their Homes and Studios & Maine and American Art: The Farnsworth Museum.
On “Pat Passlof: The Brush is the Finger of the Brain—Paintings 1949–2011” at the Milton Resnick and Pat Passlof Foundation.
On a “lost” Caravaggio, European guilds, and Beto O’Rourke’s art history lecture.
Executive Editor James Panero and Assistant Editor Andrew Shea sit down for a conversation on cultural politics amid the flurry of activity at the Whitney Biennial.
James Panero, Andrew L. Shea, and Benjamin Riley join Dominic Green on “The Green Room,” his podcast for Spectator USA.
