It’s not exactly news that Venice had close ties to the East. We were all taught early on that the wealth of the magical city of canals derived from trade with the Turks and Arabs—that’s how valuable spices and silks from exotic Asia found their way to Italy. I seem to recall that in elementary school this information was somehow bound up with Marco Polo’s travels and the surprising fact that the intrepid merchant brought pasta to Italy from China, a confusing notion that led me to form a mental image of Venetian dignitaries sitting around the Doge’s palace in long red velvet robes and those odd hats with earlaps—my school’s enriched curriculum had a heavy emphasis on art—eating spaghetti with chopsticks. Years later, most of us learned a more nuanced, much more interesting version of the history of Venice, a dramatic tale involving competition for trade routes, sea battles, and chicanery. Crusaders en route to Jerusalem figured in this account, along with the news that pasta had really been invented in Italy, after all, probably by the Etruscans, and so, much later, had forks, possibly by the Florentines. (Maybe that childhood image of chopstick-wielding venezianiwasn’t so far-fetched.) Even if, by some quirk of extraordinarily progressive education, someone escaped learning all this before reaching college age, one look at Venice herself would tell the story, confirming that where other Northern Italian cities looked to the classical past for inspiration, she looked to the Near East. No one coming
-
Venice & Islam at the Met
On “Venice and the Islamic World, 828-1797” at the Metropolitan Museum of Art, New York.
This article originally appeared in The New Criterion, Volume 25 Number 9, on page 43
Copyright © 2007 The New Criterion | www.newcriterion.com