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About ArmaVirumque ( AHR-mah wih-ROOM-kweh) In the Aeneid, the Roman poet Virgil sang of "arms and a man" (Arma virumque cano). Month in and month out, The New Criterion expounds with great clarity and wit on the art, culture, and political controversies of our times. With postings of reviews, essays, links, recs, and news, Armavirumque seeks to continue this mission in accordance with the timetable of the digital age. Recent posts
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Dec 01, 2007 09:28 PM by Stefan Beck
As New Criterion readers are probably aware by now, Michael Weiss has become the go-to guy for analysis of Soviet history and the current Russian scene. (I don’t suppose there are many people his age who can boast that they’ve enjoyed a pleasant one-on-one with Robert Conquest.) Not to be missed is this dispatch from the Weekly Standard, in which Weiss recounts the chess champion and dissident Garry Kasparov’s latest act of defiance against Vladimir Putin’s consolidation of power in Russia.
It won’t surprise anyone who’s been paying attention that Putin, shamelessly opposed to free political expression, isn’t a huge fan of free artistic expression, either. As the Times reports, Russia recently censored a state-sponsored exhibition of Russian art in Paris, and one gallery owner, a rabble-rouser specializing in art that tweaks the increasingly powerful Orthodox Church and also the Kremlin, was severely beaten by thugs later year. Much of the art being censored is quite poor—you can see one example of adolescent provocation if you follow the link above—but in Russia, moreso than in the West, it’s the thought that counts. The bear in the gallery is rampaging like a bull in a china shop. Luckily, some Russians are courageous enough to step in with the tranquilizer darts:
Keep an eye on the Cabal: If we’re lucky, Weiss will weigh in on this cultural catastrophe. In the meantime, let’s hope that the commendable Kasparov and the Other Russia Coalition see their way clear of the Deep Blues.
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